[sudo-discuss] CFP: New Media, Global Activism and Politics Vol. 20, no. 3 (August 2014)

Eddan Katz eddan at clear.net
Tue May 7 20:50:46 PDT 2013


thought this CfP would be interesting and maybe even useful in thinking about collaborative writing projects.

> From: Carolyn Guertin <carolyn.guertin at gmail.com>
> Subject: [MEA] CFP: New Media, Global Activism and Politics Vol. 20, no. 3 (August 2014)
> Date: May 4, 2013 10:49:48 AM PDT
> To: MEA at lists.ibiblio.org
> Reply-To: MEA at lists.ibiblio.org
> 
> *Convergence*
> 
> The International Journal of Research into New Media Technologies
> 
> 
> 
> Call for Papers
> 
> 
> 
> Special issue on:  New Media, Global Activism and Politics
> 
> Vol. 20, no. 3 (August 2014)
> 
> 
> 
> Guest editors:  Carolyn Guertin (University of North Texas at Dallas) and
> Angi Buettner (Victoria University of Wellington)
> 
> 
> 
> *Deadline for refereed research articles:  *30 August 2013
> 
> Indignados. Arab Spring. #Occupy. The 99%. Idle No More. #Upsettler.
> GlobalNoise. Strike Debt. These are just some of the new terms to emerge
> from the global mass protests of the last two years. They are part of a sea
> change as political engagement, citizen journalism and tactical media
> evolve as tools of protest and communication. These terms mark only one
> small part of a much larger shift in media production and distribution that
> is the rise of user-generated content or social media. Within digital
> culture, the creative act has become a form of activism carried out through
> the repurposing of pre-existing materials and media for political
> change—and it is a practice that has swayed policy, overturned governments
> and politicized subcultures and peoples on a global scale.
> 
> In the 19th century, the crowd emerged as a new social force. It was a
> force, it was argued, that shook the foundations of society and led
> individuals to commit irrational acts. In the 21st century, we have seen
> the power of crowds re-emerge as an ostensibly smarter and more nimble
> cultural force empowered by mobile technologies, crowdsourcing
> methodologies and networked systems.  How has activism changed as a result
> of new technologies? How are new media enlisted to assist in the planning
> and enactment of socio-political change? How are governments and political
> candidates using social media? How has social media altered policies,
> elections and the democratic process?
> 
> 
> 
> Topics might include:
> 
> -        Hacktivism
> 
> -        Wikileaks
> 
> -        Arab Spring
> 
> -        #occupy
> 
> -        Indignados
> 
> -        Idle No More
> 
> -        #upsettlers
> 
> -        Global Noise
> 
>        Strike Debt
> 
> -        Crowdsourcing
> 
> -        Lobbying
> 
> -        Flashmobs, smart mobs or network armies
> 
> -        Riot simulation or protest modeling
> 
> -        Microblogging as a form of protest
> 
> -        Protest apps, including geolocative ones
> 
> -        Eco-activism
> 
> -        Activism in education
> 
> -        Gaming and new media activism
> 
> -        New media and the environment
> 
> -        Politics and new media
> 
> -        Activist or protest art
> 
> -        Appropriation, subvertising, culture jamming or memes
> 
> -        Slacktivism
> 
> -        Clicktivism
> 
> -        Cyberfeminism
> 
> -        DIY culture
> 
> -        Prototyping
> 
> -        Global protest networks
> 
> -        Participatory culture
> 
> -        eDemocracy
> 
> -        Government sponsored social media
> 
> -        Public media initiatives
> 
> -        Elections and social media
> 
> 
> 
> *Queries may be directed to the guest editors, Carolyn Guertin at *
> carolyn.guertin at gmail.com* or *Angi Buettner at Angi.Buettner at vuw.ac.nz
> 
> 
> 
> *Convergence* is published by Sage and all contributors must consult
> the*guide to manuscript submission at:
> *
> http://www.uk.sagepub.com/journalsProdDesc.nav?prodId=Journal201774#tabview=manuscriptSubmission
> * for details of house style.*
> -- 
> Carolyn Guertin, PhD
> Languages and Communications, University of North Texas
> author of *Digital Prohibition: Piracy and Authorship in New Media Art
> *(Continuum,
> 2012)
> 
> Website: http://carolynguertin.com/
> Email: carolyn.guertin at gmail.com
> Skype: carolyn_guertin
> _______________________________________________
> MEA mailing list
> MEA at lists.ibiblio.org
> http://lists.ibiblio.org/mailman/listinfo/mea

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